4,775 Royalty-Free Audio Tracks for "In C"

Crash + kick drum sample, recorded with a akg c314. Is part of a dataset used to train a drums event classifier (https://zenodo. Org/record/4958592). Note that some of the samples are time shifted or contains the tail of a cymbal event.

*7 steps in 18-et on C = ??. Equal-tempered: 27/18:1 = 466.67 cents. MIDI pitch bend: 42,53

*Hundred-twenty-first harmonic on C = B↑↑♭-. Just: 121:64 = 1102.64 cents. Equal-tempered: 210/12:1 = 1000 cents. Limit: 11-limit. MIDI pitch bend: 108,64

*Bohlen-Pierce scale: interval between C and G, just major sixth on C = G. Just: 5/3 = 400 cents. Limit: 5-limit. MIDI pitch bend: 127,58

Classic "hey! look here," whistle performed with two fingers in the mouth. Close. Recorded with at c-414 mic to fostex pd-6.

Foley of an old bamboo mat being rustled, also cracking some of the branches. Mic: schoeps c-mit 5.

Busses passing by or idle in tampere areas: city centre, kyttälä and tampella. Weather snowing, temperature -3 c.

Ninth vs added-ninth chord.

One of my favorite bell loops i've made. 139bpm in the scale of c natural minor.

Sample of a saron key from an iron gamelan. Basic mic, some compression. The note is pelog 7, approximately a 'c'.

Standard old style flip switch. Recorder: sony tcd-d100 portable dat recordermicrophone: akg c 1000s.

Record de la plaça de l'ajuntamentremembrance of the town hall square.

Left hand 12 bar boogie woogie pattern in c major at 140 bpm.

Cutting big piece of wood with the battery powered chainsaw from stihl.

Algerian scale. No pitch bend.

Look at my page https://skibka-music. Blogspot. Com/. Morse code ss hq. A b c d e f g h i j k l m n o p q r s t u v w x y z. 1 2 3 4 5 6 7 8 9 0. . , ' _ : ? – / ( ) = @. Ą ć ę é ch ł ń ó ś ż ź. [a • — ] [b — • • •] [c — • — •] [d — • • ]. [e • ] [f • • — •] [g — — • ] [h • • • •]. [i • • ] [j • — — —] [k — • — ] [l • — • •]. [m — — ] [n — • ] [o — — — ] [p • — — •]. [q — — • —] [r • — • ] [s • • • ] [t — ]. [u • • — ] [v • • • —] [w • — — ] [x — • • —]. [y — • — —] [z — — • •]. [1 • — — — —] [2 • • — — —] [3 • • • — —]. [4 • • • • —] [5 • • • • •] [6 — • • • •]. [7 — — • • •] [8 — — — • •] [9 — — — — •]. [0 — — — — —]. [. • — • — • — ] [, — — • • — — ]. [' • — — — — • ] [_ • • — — • — ]. [: — — — • • • ] [? • • — — • • ]. [– — • • • • — ] [/ — • • — • ]. [( — • — — • ] [) — • — — • — ]. [= — • • • — ] [@ • — — • — • ]. [ą • — • — ] [ć — • — • • ] [ę • • — • • ]. [é • • — • • ] [ch — — — — ] [ł • — • • — ]. [ń — — • — — ] [ó — — — • ] [ś • • • — • • •]. [ż — — • • — •] [ź — — • • — ].

I make this sound with serum on ableton live 10. Royalty free!if you like, follow me on my soundcloud:-> https://soundcloud. Com/user-777960719.

Bass loop in c3 128 bpm. Wavi made this sound in ableton 9 using a synthdec. 11, 2014, 11:41 a. M.

Heavily distorted monster drone in c, using a double bass and viola heavily processed in cubase. Please feel free to credit me if you're using it somewhere. . . ;)contact me for more info!!!.

Created with surge, sp2016, love.

*8 steps in 15 equal temperament on C = F♯↓ (Easley Blackwood's notation). Equal-tempered: 28/15:1 = 640 cents. MIDI pitch bend: 102,76 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on ~102,76 on Gb.

*Eighty-seventh harmonic on C = F+ (Ben Johnston's notation). Just: 87:64 = 531.53 cents. Equal-tempered: 25/12:1 = 500 cents. Limit: 29-limit. MIDI pitch bend: 11,74

Traditional Turkish music played by Ahmed Djewdet. Polydor record n° V 43163. Matrix n° 243 Bn. [1]

*Thirty-third harmonic on C = C↑ (Ben Johnston's notation). 33/32 = 53.27 cents. Limit: 11-limit. MIDI pitch bend: 6,49 Other accidentals[edit] v • d • e #7 = 5·7 : 2·32 = 35 : 18 = -48.77 cents. vs. #L 11 = 3·11 : 25 = 33 : 32 = 53.27 cents. vs. U11 13 = 5·13 : 26 = 65 : 64 = 26.84 cents. vs. E1 17 = 3·17 : 2·52 = 51 : 50 = 34.28 cents. vs. L1 19 = 5·19 : 25·3 = 95 : 96 = -18.13 cents. vs. U19 23 = 2·23 : 32·5 = 46 : 45 = 38.05 cents. vs. U23 29 = 5·29 : 24·32 = 145 : 144 = 11.98 cents. vs. U29 31 = 31 : 2·3·5 = 31 : 30 = 56.77 cents. vs. 1E LE = 3·52 : 2·37 = 75 : 74 = 23.24 cents. vs. 37 41 = 41 : 23·5 = 41 : 40 = 42.75 cents. vs. U41 43 = 3·43 : 27 = 129 : 128 = 13.47 cents. vs. U43 47 = 24·3 : 47 = 48 : 47 = -36.45 cents. vs. U47 53 = 25·5 : 3·53 = 160 : 159 = -10.85 cents. vs. U53 #7, 11, 13, 17, 19, 23, 29, 31, 37, 41, 43, 47, 53... #L, U11, E1, L1, U19, U23, U29, 1E, LE, U41, U43, U47, U53...

Traditional song from Argentina sung by Juan Rodríguez. Disco Electra n° 153. Matrix n° 815. [1]

Be Thou found by us recorded in Wilna. Gramophone matrix 1682z. [1]

Traditional song from Iraq performed by Badria Anwar [1]

Single note sampled from a deckard's dream diy analogue synthesizer that i built myself. Deckard's dream (ddrm) is an 8-voice analogue synthesizer designed by black corporation and inspired in the classic yamaha cs-80. The ddrm (and cs-80) is all about live performance and expressiveness via aftertouch and modulations. Therefore, sampling the notes like i did here does not make much sense and by no means makes justice to the real thing. Nevertheless, i thought it could still be useful and would be nice to share. Synthesizer: deckard's dream (ddrm)factory preset #: 14note: c-1midi note: 0midi velocity: 16.

This could also work as a pad if you raise the value of the attack. I'm unable to recall exactly what i used to create this sound so feel free to tell yourself it came from whatever: a bird, some sort of whistle, maybe a whale song, etc. More importantly , please enjoy! -vanszi.

Foley of someone cleaning a window/glass surface with a dry cloth. Mic: scoeps c-mit 5.

Cello simple 8 bars with delay and reverbchord progression a , f , c , g. Recording at basement-productions508troy meier.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: roland jx-3ppatch name (pack): wetnote: c2midi note: 36.

*9 steps in 17 equal temperament on C = F♯ (Easley Blackwood's notation). Equal-tempered: 29/17:1 = 635.29 cents. MIDI pitch bend: 38,75 Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on d5 on ~38,75 for 635.31 cents.

Difference tones between Yankee Doodle in F and a drone on C. F=8/5 (1/1), G=9/5 (9/8), A440=1/1 (5/4), C=6/5 (3/2). Top and bottom line without difference tones.

Britten's twelve-tone 'Screw' theme [4]divides into equivalent tetrachords, each a segment of the circle of fifths: D-A-E-B, F#-C#-G#-D#, Bb-F-C-G. Created by Hyacinth (talk) 03:10, 7 January 2012 (UTC) using Sibelius 5.

Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 transitions from FM to dm through the inflection of C to C between the second and third chords. Note that there is no common chord.

Here We Come A-wassailing (title given as "Wassail Song" in the CD notes), a English Christmas and New Year's carol from c. 1850 performed by the chorus of U.S. Army Band "Pershing's Own", led by Colonel Thomas Rotondi, Jr. (Leader & Commander) and CSM Debra L. McGarity (Command Sergeant Major) c. 2010.